I’ve spent thirty years cultivating a studiedly random performance résumé and a solidly B-list cult following. From playing a bridesmaid-turned-brawler in Tony & Tina’s Wedding to embodying Warhol Factory fixture Ultra Violet on a West Hollywood stage, I even held my own on national cable as a working tattoo artist. I’ve made a career of thriving at culture’s edge — always slightly left of center, never quite mainstream and I’m perfectly fine with that. I’m happy to bring my particular brand of marginal glamour to background and character work, and I can paint or draw live, in any medium including digital, without breaking expression.