Hire actors in Oklahoma

I'm Tylina, live in Oklahoma. I travel alot, so thats no issue. Mom of 5 boys, cleaning business owner. I'm very witty, sarcastic and fun. I'm very good at going from funny to drama. Making people laugh is my forte with facial expressions and sarcasm. Looking for great opportunities and to get into union work.

Confident and clever with an athletic build. Ready to add value to your project!

My name is Stacy Sweetin. I am a published Author of the book series Fairy Tales. Fairymoore and The Wanderers are the first two published. I am a drummer and singer for Well Spent, Stallone Cobras, Get Away Sirens, Coffee Corpse and Disposable Grrrlz! I’m the owner, anuthor and publisher of Trust Tarot Deck and Guidebook. I am a hair dresser/makeup artist at Opulence Hair Company. I also teach private lessons in yoga and work as a Reiki practioner at A Balanced Body. I was interviewed and played drums with Stallone Cobras on RSUTV for Studio 66 on YouTube. Needless to say, I play many roles.

Actor based in Tulsa, Oklahoma. Started in background work in late 2025 and moved into speaking roles within months — co-lead in the short film Boxing in Silence (Dallas, 2026) and supporting role in the indie feature Bioweapon. Playable range 25–40. Known for casting in mercenaries, enforcers, villains, and anti-heroes. Full sleeve and throat tattoos, strong physical presence, athletic build. Extreme sports and motorcycle background. Comes to set prepared, takes direction well, and brings authentic intensity to genre-driven roles

I have taken acting classes at The Actor Factory in Norman, Oklahoma,

Reece McAbee is a stage and screen actor drawn to high-stakes, morally charged drama, where conviction collides with consequence and the pressure of the moment reveals the truth. He began in musicals, developing stamina and timing, but found his center in straight plays, where language and silence carry equal weight. He builds performances from the text, working objectives, obstacles, and tactics until they settle into the body. For classical work, he treats verse and rhetoric as a playable structure. For the camera, he works toward restraint and clarity, allowing the moment to read without explanation. His directing background informs his approach as an actor, emphasizing collaboration and the architecture of a scene. He is currently focused on building substantive stage and screen credits while continuing to train in contemporary and classical material, with a particular interest in muscular drama grounded in character, consequence, and moral choice.